Media Mentions
Already rising four stories out of the ground in a concrete horseshoe, the Dallas Center for the Performing Arts’ Margot and Bill Winspear Opera House is starting to take shape.
Texas wouldn’t be the premier location when one considers a foray into the world of the arts, or at least it wouldn’t have, until now. Billed as the most significant cultural complex in America since New York’s Lincoln Centre, the $354-million Dallas Centre for the Performing Arts is set to open next month to complete the city’s 25 year vision for the 68 acre arts district.
While other cities are tightening their belts, Dallas is polishing its buckle
A modern interpretation of a traditional performance venue, the design of the new Margot and Bill Winspear Opera House in Dallas, emerged from the close cooperation on the part of engineers, architects and acoustical and theatrical experts that enabled them to overcome such noise and vibration challenges as the structure’s proximity to a major freeway and its location directly beneath the flight path of a Dallas airport.
The UK Pavilion at the World Expo 2010 Shanghai by Thomas Heatherwick Studios, Timberyard Social Housing in Dublin by O’Donnell & Tuomey and the Anchorage Museum in Alaska by David Chipperfield Architects are the three contenders for the Royal Institute of British Architects’ (RIBA) prestigious RIBA Lubetkin Prize for the best international building by an RIBA member.
The complexity of the new Margot and Bill Winspear Opera House is fully realized not just in the design and painstaking construction of its complex, one-of-a-kind components but also in the management of the process that brought it to fruition.
The new Winspear Opera House in Dallas redefines the essence of an opera house for the twenty first century, breaking down barriers to make opera more accessible for a wider audience.
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